Hi Peter The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. Both the SM57 and SM58 are favoured for their workhorse-like reliability and durability. MaonoCaster E2 (AME2) review - production audio interface for streamers. The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. 965 more sensitive than the KSM, for me uses about 1/3rd less gain. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. It is also nice to admit the technological advancements implemented in this unit. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. It is made from high-quality components, which ensures that it delivers excellent sound quality. Review: Best Wireless Mics to date For pros & Noobs! Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. nine microphones M Zippered Carrying Case for KSM8. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. Another drawback of sensitive microphones is that they often have a low maximum SPL. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. Thank you for your request. Shure KSM8 Shop now at Amazon. Consequently, the polar pattern will have a deep rearward null, and we call that a cardioid response. You are using an out of date browser. This is like having two mics in one, and is a real bonus. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. A Sweetwater Sales Engineer will get back to you shortly. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. Try a good quality boom stand, with a tripod base like the K&M 210/2. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. SHURE KSM8 Dualdyne Vocal Microphone Shure KSM9 Condenser Microphone Review | Microphone Geeks Like most professional microphones, the KSM9 has a low impedance of 150 ohms. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. Given the sensitivities of condenser mics, why would anyone risk using one on stage? In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. Shure KSM9 is a professional on-stage condenser mic. the Telefunken M80). Shure RPW174 KSM8 Dualdyne Wireless Capsule for Shure Transmitters Shure Audio Institute. The active and passive diaphragms differ in that the active (top) one has a coil attached. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. Shure KSM9 is a professional on-stage condenser mic. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). It is intended for vocal use. 965 seriously cuts through the muddiness very crisp high end. Confused about setting up your guitar? The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. Crucially for a live condenser, theres also a suspension shock mount. The views expressed are those of the contributors and not necessarily those of the publishers. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. This makes it ideal for recording vocals or instruments in a studio setting. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. They even look similar, with tapered handles and squareish divided metal grilles. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. I prefer the KSM9 over the Beta87C. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. Dynamic mics are particularly suited to live and stage use. 3:26 What We Heard It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. SHURE KSM9/CGShure118800! Between the KsM9 and the E935 which would be better for handheld studio rap/vocals? Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. None. All rights reserved. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. This provides a clean and transparent sound, while generating a little more heat than other designs. The sound engineer will normally mute the mic from the mixing desk when needed. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. What else do you need for your home recording studio? The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. As expected from professional equipment, youll get that superior quality and low noise levels. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. In Summary. I'm somewhat unfamiliar with the Sennheiser line of microphones. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. 5 stars: 28 %: 4 stars: Dualdyne capsule continues the ongoing evolution of microphone technology. 27 Wormwood St The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. Shure KSM9HS | RecordingHacks.com You may use these HTML tags and attributes:
, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. Well, at 429, this mic doesnt come cheap. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. Q. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. The robust mechanism means theyre also less sensitive to distortion from high sound levels. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. Shure KSM8 vs SM58 // Which is better for live vocals? Happy customers, one piece of gear at a time! In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. Shure KSM8 Dualdyne Vocal Microphone - FOH | Front of House Magazine If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. BACK. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. . Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself!Follow Marcus Scott on social media Instagram: @marcusdscottAfter you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Shure KSM 9 HS - Thomann United States In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. Whereas condenser mics are active meaning they need something called power phantom power. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. On first listen, the two mics have a similarly clear and transparent sound. But a mic like this isnt perfect for all situations. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. Sound Quality. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. 95A2050 . Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Big venue or loud stage this mic will definitely cut through the . All you need to know about wireless microphones. I work with a female vocalist who is looking to upgrade her microphone. While this is by no means a scientific comparison, you can get a crude glimpse at frequency response differences between the SM58 and KSM8 here, with a simple 'AH' sung at a fundamental around 400Hz. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. Available colors: User rating: 71. Shure KSM9 vs Shure SM58 | Full Comparison - Productz This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. Shure: KSM8 & KSM9 Microphones - An Essential Design Case Study Click to reveal http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. Boston, In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. BLXShure Quality at an Affordable Price for Basic Setups: $299. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. So, are there any downsides? 210.65.88.143 Shure Tech Portal open_in_new. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . Shure KSM9 vs Sennheiser E965 for Vocals - Gearspace.com This means an even, predictable low-end as the distance from the mic changes. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. Elegantly crafted products that are simple, useful, and desirable. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. 1.93 in. However, the KSM9 has this covered. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. If you want the best quality XLR cables, try these. The KSM9 microphone typically runs around $700 in a wired configuration. Shure KSM8 vs. KSM9 | What's the Difference? - inSync The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. Which condenser mic is better? : livesound - reddit Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. Bath The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. Both patterns arestandard and both can be as useful in different situations. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. I was hoping to get a few opinions on these microphones. shure ksm8/n; . Save my name, email, and website in this browser for the next time I comment. However, some singers will need more control over the way their voice sounds. Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). This mic offers dynamic lows, balanced mids and sparkling highs. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! The Sennheiser also has a slightly larger diaphragm than the Shure. Both mics have very similar specs and a similar size, weight and design. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. . Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. She will be using IEM with this mic. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. But there are some differences. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. Pro-level mics often dont have on/off switches, because it make it less likely that the singer will accidentally turn off the mic mid performance. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). The KSM9 appeared on our recommended list for Condenser Mics Under $1000 from October 2018 until March 2020. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. 531 171. As a condenser mic, the Shure KSM9 requires phantom power. Despite being a condenser, the design is well adapted to gigging. New Release: EDM Expanse (Construction Kits). What is the output level difference between Shures Beta 87A and SM58? Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering.
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